C.N.P Poetry 

  • Cathexis Northwest Press

3 Untitled Nature Catastrophe Poems

By: Darren Demaree








maybe having children

was a mistake i can’t stop

shaking when i think they


could be the last adults they

could kiss the first tide in

ohio i am thrilled they


are here now with me i

needed them but my needs are

bringing forth the ocean











there is no break in death

& no loud conversation

with heaven this world leaks


onto what table the bright

hard song of fighting to

fight against the end of wood


is exhausting the edge

of humanity only

leads to more edge dammit











color is the real cup

the human cloak the smoking

forests the smoke the steel


the gray to whitening ash

fucking coal defenders

we are so easy to find


it’s all ruins & yet

we aren’t ruined one bird sings

flight doesn’t mean escape






 

Darren C. Demaree is the author of sixteen poetry collections, most recently “a child walks in the dark”, (December 2021, Harbor Editions). He is the recipient of an Ohio Arts Council Individual Excellence Award, the Louise Bogan Award from Trio House Press, and the Nancy Dew Taylor Award from Emrys Journal.


Interview with the Poet:



Cathexis Northwest Press:

How long have you been writing poetry?


Darren C. Demaree: I wrote my first poem when I was twelve. I think my first published poem came when I was twenty-two. So, at this point, for a very long time.

CNP:

Can you remember the first poem you read that made you fall in love with poetry?


DCD:

Robert Creeley’s “The Whip”

CNP:

Who are your favorite poets? Any specific poems?


DCD:

Wanda Coleman

Aase Berg

Samuel Menashe

Hoa Nguyen

Paige Lewis

CA Conrad

Tommye Blount

Noelle Kocot

Richard Siken

Mary Ruefle

Carlos Drummond de Andrade

Albert Abonado CNP:

Can you share for us a little bit about your writing process? Any specific rituals that get you in the zone?


DCD: I actually only eat sugar when I’m writing. I’m smart enough to know that I’m simple enough to be tricked into writing. So, the smell of coffee, a piece of pie, and some music will normally get me going pretty well.

CNP:

How do you decide the form for your poems? Do you start writing with a form in mind, or do you let the poem tell you what it will look like as you go?


DCD:

It doesn’t normally find a form until the editing process. CNP:

Any advice for poets who have yet to find their voice?


DCD:

Keep experimenting. Even if you find a comfort zone with a particular voice then you should keep pushing past that and try new voices or new forms. Try everything. Have fun with it. CNP:

What is your editing process like?


DCD:

It’s different depending on the poem. If it’s a standalone poem I might pick at it for a long time. If it’s part of a sequence or a narrative I will leave the editing part alone until I’m working on the project as a whole. CNP:

When do you know that a poem is finished?


DCD:

This gets said a lot, but a poem is never really finished if it’s yours. I’ve got books that I’ll read from and I’ve edited the poems again in the published book. Either I learned something from reading it in front of an audience or I’ve changed my mind on something I struggled with when I was writing it. A poem I’m no longer engaged with is one I probably won’t read in front of folks.